Visual artist, lives and works in Brussels, Belgium.

The starting point of her practice is a perceptual dialogue between time and materiality. 
She explores techniques rooted in ancestral textile-making, translating the heritage of the textile medium into a contemporary context. Her works contain stories within their very fabric; they preserve memories and reveal deep-seated emotions.

Her works are images embedded in material, visual phenomena that embody a delicate plastic balance and first evokes an aesthetic response in the viewer. This presence, with no singular direction, captures the gaze and mesmerizes through a symbiotic relationship between texture and colour. The inner tension within the composition becomes an exploration of contradiction; there is a constant pull between opposing forces, such as chance and control.

Naturally dyed threads accumulate rhythmically, woven line by line, through repetitive gestures between past and future. The hues are anchored within the surface of the canvas, unfolding throughout the composition. These interwoven colours, rather than superimposed layers of paint, form the essence of her practice.
Chromatic and flickering impressions may appear, creating a tangible presence. These configurations of woven band fabrics—arranged time fragments—form an abstract, pictorial image which challenges our perception. Mounted on frames, the canvas makes it possible to see the colours in vibration, transforming into painting-like works—des tableaux.

Through the act of stretching the hand-woven canvases, she defines the square format. More than a compositional choice, it is a statement of autonomy for the textile, which has been placed central.
In Western art history, the square has established itself as a fundamental geometric form, a symbol of modernist experimentation that challenges conventional notions of composition. While the textile medium has traditionally been associated with femininity and craft, it is here elevated into a visual language on its own, intertwining textile practice with representation. By using it as both surface and subject, she blurs the line between these categories. In doing so, she seeks to transcend traditional image-making and questions the very nature of an image. 

Upcoming

WHAT DID YOU PASS ON TO ME – retour au bailli, Av. Louise 195, Le Bailli. From May 26 until June 27, 2026.

Shiftings, solo exhibition at IKOB Museum of Contemporary Art, opening on June 21, 2026, in Eupen, Belgium. On view until September 20.

Group exhibition, opening at Martins&Montero, on June 25.

Performance with Aya Suzuki at IKOB Museum of Contemporary Art on June 27 at 19:00 in Eupen, Belgium.

Bio

Her work has been presented in numerous international group exhibitions, including the 21st Century Museum of Contemporary Art, Kanazawa, Japan, Marres, Maastricht, the Netherlands, Centrale for Contemporary Art, Brussels, Belgium, and at the New York Textile Month, in the US. Solo exhibitions include E.A. Shared Space, Tbilisi, Georgia, Saarländische Galerie, Berlin, Germany, and Affiliate, the WIELS project room, Brussels, Belgium. In 2022 she has also exhibited at IKOB Museum of Contemporary Art, Eupen, Belgium, where she received both the public and the 3rd Feminist Art Prize.

Most recently, in 2025, she was artist-in-residence at The Mothership, Yto Barrada’s dyers’ garden and studio in Tangier, Morocco, as well as at the Cité Internationale des Arts in Paris, France, and at Thread—The Josef and Anni Albers Foundation in Sinthian, Senegal. Previous residencies include WIELS Contemporary Art Centre (Brussels, 2023), iMAL (Brussels, 2022) and CAB Foundation (Brussels, 2021). In 2019, she participated in the Académie des savoir-faire at the Fondation d’entreprise Hermès, Paris, France.

Her education includes École Supérieure des Arts St-Luc in Brussels, Belgium (BA 2008), HGK – Hochschule für Gestaltung & Kunst in Lucerne, Switzerland (2007), and HAW Hamburg, Germany (2011-2012). She completed her visual arts studies in the textile department at ENSAV La Cambre in Brussels, Belgium (BA 2011; MFA 2013). Since 2018, she has been teaching at KASK School of Arts in Ghent.